The Nightmare of Participation
(Crossbench Praxis as A Mode of Criticality)
Welcome to Harmonistan! Berlin-based architect/writer Markus Miessen tackles the pervasive contemporary overuse of the concept of “participation” in the final part of his paradigm-changing trilogy.
What is the relationship between art, intellect and financial capital? This collection of texts is a product of an exhibition and critical dialog at Thomas Dane Gallery, London, addressing the notion of “contingency” as it has become crucial both in contemporary philosophy and art.
The Advent of Forensic Aesthetics
Thomas Keenan and Eyal Weizman
In the aftermath of World War II, two notorious Nazi villains were exposed in different ways.
Selected Writings on Art
Critic, novelist and cultural voyeur Michael Bracewell is not a writer who’s easy to classify.